The cover illustration for “The Gospel According to the Romans” comes from the Arch of Titus in Rome. (Actually, it comes from a Tel Aviv museum’s reconstruction of that part of the Arch.)
The Arch of Titus commemorates the destruction of the Temple in Jerusalem and the looting of its treasures in 70 CE, during the Great Revolt that ended with Masada. This was 35-40 years after the death of Jesus, but part of the pattern of a major uprising against the Roman Occupation once a generation or so, and the Legions crushing it.
The Roman attitude towards Palestine was that it was a strategically important province: not just at the crossroads of Mesopotamia and Egypt, not just part of the trade routes with India, but essential to prevent piracy and lawlessness in the eastern Mediterranean. So the Romans were there to stay. If the Jews were going to be quiet, the Empire would farm them for taxes while providing commerce and growth and infrastructure. If the Jews were going to be troublesome, the Legions would loot and pillage while suppressing uprisings. Standard Roman practice.
“The Gospel According to the Romans” puts Jesus into this context of Roman occupation and constant Jewish resistance. You’d be surprised how different that makes the Gospels look!